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Włodzimierz Staniewski and the Phenomenon of “Gardzienice” (Routledge Advances in Theatre & Performance Studies)

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Book Details
Language
English
Publishers
Routledge; 1st edition (29 Jan. 2024)
Weight
0.59 KG
Publication Date
29/01/2024
ISBN-10
1032050616
Pages
416 pages
ISBN-13
9781032050614
Dimensions
15.24 x 3.18 x 22.86 cm
SKU
9781032050614
Author Name
S. E. Gontarski (Editor)
S. E. GONTARSKI, Robert O. Lawton Distinguished Professor of English, Ph.D., The Ohio State University (1974): specializes in twentieth-century Irish Studies, in British, U.S., and European Modernism, in performance theory, and in Modernist book history. He has been a Resident Fellow at the Djerassi Foundation, The Rockefeller Foundation at Bellagio, The Bogliasco Foundation, and a Visiting Scholar at the American Academy in Rome. He has been awarded four National Endowment for the Humanities research grants, has twice been awarded Fulbright Professorships, and has been Guest Editor of the following: American Book Review, The Review of Contemporary Fiction, Modern Fiction Studies and Drammaturgia. He is also General Editor of four book series: 1) "Crosscurrents: Comparative Studies in European Literature and Philosophy" with the University Press of Florida; 2) "Anthem Studies in Theatre and Performance" with Anthem Press, London;3) (with Paul Ardoin and Laci Mattison) "Understanding Philosophy / Understanding Modernism" with Bloomsbury4) "Other Becketts" with Edinburgh University Press. He edited the Journal of Beckett Studies from 1989-2008, and currently serves as Co-Editor with its publication by Edinburgh University Press.Read more about this authorRead less about this author
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This book offers a broad, comprehensive overview of the contemporary state of the Gardzienice theatrical company and its evolution. Their most recent production, The Wedding, is taken as a focal point for a retrospective discussion on the company’s development.

Premiered at the festival celebrating the 40th anniversary of the company, The Wedding echoes most of the major achievements of Staniewski’s stage language and his capacity of exploring and developing the performative potential of liveness. This study consists of essays by prominent practitioners and theoreticians of theatre, director’s notes, conversations with Staniewski and other company members, selected archival materials and substantial visual coverage.

It promises to be of great interest to students and scholars across the fields of theatre and performance studies. .

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