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Understanding Žižek, Understanding Modernism (Understanding Philosophy, Understanding Modernism)

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Book Details
Language
English
Publishers
Bloomsbury Academic (27 Jun. 2024)
Weight
0.36 KG
Publication Date
27/06/2024
ISBN-10
1501393847
Pages
266 pages
ISBN-13
9781501393846
Dimensions
15.24 x 1.42 x 22.86 cm
SKU
9781501393846
Author Name
Jeffrey R. Di Leo (Editor)
Jeffrey R. Di Leo edits American Book Review and symplokē, and is Executive Director of the Society for Critical Exchange and its Winter Theory Institute. He is professor of English and Philosophy at the University of Houston-Victoria. His many books include Out of Print (2024), Dark Academe: Capitalism, Theory, and the Death Drive in Higher Education (2024), Left Theory and the Alt-Right (2024, with S. McClennen), Theory Conspiracy (2024, with F. Beckman), Selling the Humanities (2023), Contemporary Literary and Cultural Theory: An Overview (2023), Understanding Zizek, Understanding Modernism (2022, with Z. Zalloua), Happiness (2022), Understanding Barthes, Understanding Modernism (2022, with Z. Zalloua), Bloomsbury Handbook of World Theory (2022, with C. Moraru), Vinyl Theory (2020), Catastrophe and Higher Education: Neoliberalism, Theory, and the Future of the Humanities (2020), Biotheory: Life and Death under Capitalism (2020, with P. Hitchcock), Philosophy as World Literature (2020), The End of American Literature: Essays from the Late Age of Print (2019), What's Wrong with Anti-Theory? (2019), The Bloomsbury Handbook of Literary and Cultural Theory (2018), The Debt Age (2018, with P. Hitchcock and S. McLennen), Experimental Writing: A Collection of Statements (2018, with W. Motte), Higher Education under Late Capitalism: Identity, Conduct, and the Neoliberal Condition (2017), American Literature as World Literature (2017), The New Public Intellectual: Politics, Theory, and the Public Sphere (2016, with P. Hitchcock), Dead Theory: Derrida, Death, and the Afterlife of Theory (2016), Capital at the Brink: Overcoming the Destructive Legacies of Neoliberalism (2014, with U. Mehan), Turning the Page: Book Culture in the Digital Age (2014), Corporate Humanities in Higher Education: Moving Beyond the Neoliberal Academy (2014), Terror, Theory and the Humanities (2012, with U. Mehan), Neoliberalism, Education, and Terrorism: Contemporary Dialogues (2012, with H. Giroux, S. McClennen, and K. Saltman), Academe Degree Zero: Reconsidering the Politics of Higher Education (2010), Federman's Fictions: Innovation, Theory, and the Holocaust (2010), Fiction's Present: Situating Contemporary Narrative Innovation (2008, with R. M. Berry), From Socrates to Cinema: An Introduction to Philosophy (2007), If Classrooms Matter: Progressive Visions of Educational Environments (2004, with W. Jacobs), On Anthologies: Politics and Pedagogy (2004), Affiliations: Identity in Academic Culture (2003), and Morality Matters: Race, Class, and Gender in Applied Ethics (2002).Read more about this authorRead less about this author
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Slavoj Žižek is one of today’s leading theorists, whose polemical works span topics from German idealism to Lacanian psychoanalysis, from Shakespeare to Beckett, and from Hitchcock to Lynch. Critical through and through of both post-modern ideological complacencies—e.

g. , the death of the subject and the return to ethics—and pre-modern ones—e.

g. , the re-enchantment of the world, the embrace of postcritique—Žižek doubles down on the virtues of the modern, on what it means to be modern, and to ask modern questions (about the subject, nature, and political economy) in the age of the Anthropocene.

This volume takes up the challenges laid out by Žižek’s iconoclastic thinking and its reverberations in an array of fields: philosophy, psychoanalysis, political theory, literary studies, and film studies, among others. Žižek’s multi-disciplinary appeal attests to the provocation, if not scandal, of his politically incorrect thought.

Understanding Žižek, Understanding Modernism makes the force and inventiveness of Žižek’s writings accessible to a wide range of students and scholars invested in the open question of modernism and its legacies. .

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