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Politics, Philosophy & Social Sciences      Social Sciences

TV Writing On Demand: What's Now + What's Next.

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Book Details
Language
English
Publishers
Routledge; 2nd edition (13 Aug. 2024)
Weight
0.52 KG
Publication Date
13/08/2024
ISBN-10
1032408812
Pages
392 pages
ISBN-13
9781032408811
Dimensions
15.24 x 2.06 x 22.86 cm
SKU
9781032408811
Author Name
Neil Landau (Author)
Neil Landau is an award-winning screenwriter, producer, author, and professor. His screen credits include the teen comedy Don't Tell Mom the Babysitter's Dead; Melrose Place, The Magnificent Seven, Doogie Howser, M.D., The Secret World of Alex Mack, Twice in a Lifetime, and MTV's Undressed. His animated movie projects include Tad: The Lost Explorer (aka Las Adventuras de Tadeo Jones) for which he earned a Spanish Academy “Goya” Award and Cinema Writers’ Circle Award for Best Adapted Screenplay (2014); and Tad2 (Tadeo Jones and the Secret of King Midas), from Paramount, which premiered in August, 2017 (once again to record box office). Neil is working on the Tad #3 for a summer, 2022 release by Paramount. He also co-wrote the Goya Award-winning animated feature Capture the Flag (also for Paramount); and the animated movie, Sheep & Wolves, for Wizart Animation (The Snow Queen), 2017. He’s currently Head Writer and Executive Producer on the new animated feature film Finnick for Riki Animation/Sola Media/Sony Pictures, and serving as Co-EP on Moomios for 4 Cats Pictures and Warner Bros. Both are currently in post-production for global 2022 releases. Neil’s new projects include the new animated feature Little Big Man or 4 Cats Pictures/A3/Artresmedia). Neil served as an Assistant Dean of Special Projects at UCLA School of Theater, Film & Television and Co-Director of UCLA’s MFA Screenwriting Program for many years. Currently, Neil is serving as Associate Professor at Grady College, and founding Director of Screenwriting in the new MFA Film & Television Program at the University of Georgia, where he also serves as chair of the pre-jury selection committee for the Creative category of the 2021-22 Peabody Awards. Neil is author of six books, including the bestselling 101 Things I Learned in Film School (Grand Central Publishing, 2010, just reissued by Random House/Crown, 2021). Neil served for several years as Executive Script Consultant in the international divisions of Sony Pictures Television and Columbia Pictures. He gives lectures, keynotes, and hosts workshops around the world on the art and craft of screenwriting, including keynotes in Copenhagen, Milan, Rome, Seoul, and Sochi. He has lectured at USC School of Cinematic Arts, NYU Tisch School of the Arts, La Femis in Paris, Met Film School in London, University of the Andes in Santiago, Alexander Mitta Film School in Moscow, Hebrew University in Jerusalem, Shanghai Film Art Academy, Starlight Media in Kiev, Accademia Nazionale del Cinema in Bologna, Italy, and more. He’s a member of the WGA West, the Academy of Television Arts & Sciences, PEN West, and sits on the Board of Directors for OUTFEST. He earned his BA in Film and Television at UCLA, and his MFA in Screenwriting at UGA’s Grady College of Journalism & Mass Communication. Please visit www.NeilLandau.com for news and updates.Neil Landau's top ten movies of all time:The Graduate American BeautyNetworkPaper MoonAnnie HallRosemary's BabyThe ApartmentCabaret Taxi DriverTootsieRead more about this authorRead less about this author
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This book takes a deep dive into writing for today’s audiences, against the backdrop of a constantly evolving TV ecosystem. The aim of this 2nd edition is to go beyond an analysis of what makes exceptionally compelling episodic TV series work.

It is a master course in the creation of entertainment that does more than meet the standards of modern audiences – it challenges their expectations. The book will help readers discover how to satisfy the satiated viewer, by analyzing the new hybrid genres, trends, and how to make smart initial decisions for a strong, sustainable story.

It will also cover the development of iconic characters that foster empathy and entice viewers to bond with characters and generate the sensation that their problems are mutual. Finally, the book will also take a deep dive into creating a lasting, meaningful career in the TV marketplace, by overcoming trips, traps and tropes, the pros and cons of IP, the use of pitch documents, pitch decks, and show “bibles” as proof-of-concept in the marketplace.

This will be an essential resource for student and professional writers and is supplemented with a companion website offering additional content, including script excerpts, pitch document/deck/show bible samples, scene analysis and templates, plus useful writing exercises to break new ground and to mine new territory. .

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