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Theatre and the Virtual: Genesis, Touch, Gesture (Routledge Advances in Theatre & Performance Studies)

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Book Details
Language
English
Publishers
Routledge; 1st edition (29 Jan. 2024)
Weight
0.24 KG
Publication Date
29/01/2024
ISBN-10
1032138459
Pages
166 pages
ISBN-13
9781032138459
Dimensions
15.6 x 0.97 x 23.4 cm
SKU
9781032138459
Author Name
Zornitsa Dimitrova (Author)
Zornitsa Dimitrova writes on the philosophy of technology, the ontological status of automata, the aesthetics of the Anthropocene, the environmental humanities, and their various points of confluence. She studied Indology and Philosophy at Sofia University, Literary Theory at the University of Freiburg, and obtained a Ph.D. in Literary Studies from the University of Münster. Her first scholarly book, Literary Worlds and Deleuze: Expression as Mimesis and Event, was published in 2017 with Rowman&Littlefield. Her second monograph, Theatre and the Virtual: Genesis, Touch, Gesture, appeared in 2022 with Routledge. Zornitsa has authored various scholarly publications in the fields of postcontinental philosophy and theatre studies. Selected poems have been nominated in competitions for debut authors. Zornitsa's most recent project is an autobiographical poetry triptych. The first two books, These So Long Days and The Museum of Confirmations, are already in print.Read more about this authorRead less about this author
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Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality. Creating a passage towards a reconstitution of the given, a theatre of the virtual opens bodies in motion to a region of an ongoing genesis of forces.

The outcome: regimes of constraint are abandoned through a radical practice of ecological attunement. Violence is eschewed through an onto-ecology of touch.

Closed systems are repotentialised to become co-constitutive of their environments. A logic of spectrality settles in―not so much entities as atmospheres, not so much a being as a style of being, not so much a body as multitudinous milieus of response.

This is the task of a theatre of the virtual―to safeguard the possibility of the extra-epistemological and uphold one’s right to offer accounts of oneself from outside of being, all the while creating a fractured record of the wondrous mutations of a moving, gesturing body. This book will be of great interest to students and scholars in theatre, philosophy, new materialisms, environmental humanities, gesture, and the ontology of response.

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