Politics, Philosophy & Social Sciences      Philosophy

The Philosophy of Imagination: Technology, Art and Ethics

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Book Details
Language
English
Publishers
Bloomsbury Academic (16 May 2024)
Weight
0.54 KG
Publication Date
16/05/2024
ISBN-10
1350277215
Pages
256 pages
ISBN-13
9781350277212
Dimensions
15.6 x 1.57 x 23.39 cm
SKU
9781350277212
Author Name
Galit Wellner (Author
Geoffrey Dierckxsens obtained his Ph.D. in philosophy at the University of Antwerp (Belgium), and currently works as a Post-Doctoral researcher in the Institute of Philosophy of the Czech Academy of Sciences (CAS) in Prague. In 2013 and 2014 he worked as an associated researcher at the École des Hautes Études en Sciences Sociales (EHESS) in Paris. Geoffrey Dierckxsens specializes in French phenomenology and hermeneutics, in particular and in their relations to contemporary analytical philosophy (moral theory and philosophy of mind). He was guest editor of the special issue of Études Ricœuriennes/Ricœur Studies 6, No 2 on “justice and its margins.” His publications include “The Ambiguity of Justice” (Ricœur Studies, 2015), The Animal Inside. Essays at the Intersection of Philosophical Anthropology and Animal Studies (Rowman and Littlefield, 2017), “Responsibility and the Physical Body. Paul Ricoeur on Analytical Philosophy of Language, Cognitive Science, and the Task of Phenomenological Hermeneutics” (Philosophy Today, 2017), and Paul Ricœur’s Moral Anthropology: Singularity, Responsibility and Justice (Lexington Books, 2017), which discusses Paul Ricœur’s moral anthropology in relation to contemporary moral theories in analytical philosophy.Read more about this authorRead less about this author
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Combining perspectives from both continental and analytic philosophy, this timely volume explores how imagination today both shapes and is shaped by technology, art and ethics. Imagination is one of the most significant and broadly examined concepts in contemporary philosophy and is frequently understood as a basic human faculty that enables complex activities.

This book shows, however, that imagination is more than a mere enabler. Whilst imagination shapes our experiences, it is at the same time shaped by our environments.

Some of the most creative manifestations of imagination are the result of its two-way interaction with art or technology, or both. In short, imagination co-shapes us.

Beyond the traditional perspectives of Kant and Heidegger, The Philosophy of Imagination: Technology, Art and Ethics examines our dynamic relationship with imagination, from contemporary technological advancements such as AI that transform the whole ecosystem to imagination in the context of videogames and literary fiction. Analysing societal imagination, it addresses the relationship between the racial imaginary and white ignorance, as well as the effects that societal mechanisms such as lockdowns can have on our imagination.

Taking its cue from the here and now, this volume brings together leading international scholars to investigate how the concept of co-shaping allows us to see imagination and its crucial role in society in new and productive ways. .

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