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Biography      Historical

The Cove: A Cornish Haunting

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Book Details
Language
English
Publishers
W&N (4 July 2024)
Weight
0 KG
Publication Date
04/07/2024
ISBN-10
1474606938
Pages
288 pages
ISBN-13
9781474606936
Dimensions
13.82 x 1.52 x 22.23 cm
SKU
9781474606936
Author Name
Beth Lynch (Author)
Beth Lynch grew up in Sussex. She holds a doctorate in seventeenth-century literature, and taught English at Cambridge University before training in garden design. For several years she lived and gardened in Switzerland, the subject of her first book Where the Hornbeam Grows (Weidenfeld & Nicolson, 2019). She now lives in Northamptonshire.Read more about this authorRead less about this author
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For over five decades Beth Lynch has been drawn back, over and again, to a rocky spot on the North Cornwall coast. Her earliest memories of the cove are bound up with idyllic family holidays; as she grows older, however, her sense of connection with the place grows deeper and more complicated.

This slippery interface of land and sea - a site of sheer edges and ledges, peculiar rock formations and eroding, tumbling slate - becomes her childhood refuge from anxiety and school bullying. Around the time of her parents' deaths, strange things start to happen in and around the cove, and Lynch is left wondering how well she really knows this minute section of coast that draws her so ineluctably.

Is it the cove, or is it her? What secrets does the cove have to share? Is she safer staying away? Unfolding through a medium of salt and slate, the elemental indifference of Atlantic Cornwall, The Cove is a lyrical meditation on being a revenant, on haunting and being haunted. Through encounters with quarrymen, wartime women and a enigmatic archaeologist - along with JMW Turner, Alfred, Lord Tennyson, Anthony Trollope, and Thomas and Emma Hardy - Lynch contemplates what happens when our deepest fears materialise, reflecting on mortality and the nuanced ways in which we take leave of our dead.

She explores the profound impacts of change - in ourselves, in places and in the transformative dance between the two. .

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