Poetry, Drama & Criticism      History & Criticism

The Comedy of Manners (Routledge Library Editions: Comedy)

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Book Details
Language
English
Publishers
Routledge; 1st edition (21 Mar. 2024)
Weight
0.21 KG
Publication Date
21/03/2024
ISBN-10
1032215658
Pages
176 pages
ISBN-13
9781032215655
Dimensions
13.8 x 1.02 x 21.6 cm
SKU
9781032215655
Author Name
Kenneth Muir (Author)
Kenneth Arthur Muir (5 May 1907 – 30 September 1996) was a literary scholar and author, prominent in the fields of Shakespeare studies and English Renaissance theatre. He served as King Alfred Professor of English Literature at Liverpool University from 1951 to 1974.Muir edited volumes 19 through 33 of the Shakespeare Survey, and served as chairman of the International Shakespeare Association. He authored and edited a wide range of scholarly articles and books — primarily on Shakespeare and other Elizabethans, but also on various other subjects, including John Keats, Jean Racine, and Pedro Calderon de la Barca. He edited modern texts of many classic plays of the English Renaissance, including Othello, King Lear, Macbeth, Troilus and Cressida, and Richard II. He also edited the collected poems of Sir Thomas Wyatt.Muir is vulnerable to confusion with other authors with very similar names: John Kenneth Muir, Kenneth B. Muir, Kenneth R. Muir, and Kenneth W. Muir.Bio from Wikipedia, the free encyclopedia.Read more about this authorRead less about this author
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Originally published in 1970, this title starts with an introduction, in which Professor Muir distinguishes between the Comedy of Manners and other types of comedy and traces its origins in English and French literature, there are then chapters on the major writers – Etherege, Dryden, Wycherly, Congreve, Vanbrugh, Farquhar – and on Jeremy Collier’s attack on the immorality and profaneness of the plays. This is followed by a discussion of the reasons for the decline of comedy in the eighteenth century and an account of its revival by Sheridan and, belatedly, by Wilde.

Professor Muir takes issue with a number of recent critics on the dramatic value of the plays. .

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