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The Art of Broadsword Fighting for Stage and Screen: An Actor's and Director's Guide to Staged Violence

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Book Details
Language
English
Publishers
Routledge; 1st edition (4 April 2024)
Weight
0.44 KG
Publication Date
04/04/2024
ISBN-10
1032356057
Pages
202 pages
ISBN-13
9781032356051
Dimensions
15.24 x 1.65 x 22.86 cm
SKU
9781032356051
Author Name
Erick Vaughn Wolfe (Author)
Erick Vaughn Wolfe is the current Director of Theatre at North Idaho College. He earned his B.F.A. in Performance from Oklahoma Central University, and his M.F.A. in Film and Theatre Directing from the University of New Orleans. He is a certified teacher with both the British Academy of Dramatic Combat (B.A.D.C.) and the Academy of Performance Combat (A.P.C.). Erick has been working in film, theatre, opera, ballet, and musical theatre for over 25 years as a fight choreographer, stunt performer, and director. After running his own stage combat training center for 10 years, Erick traveled around teaching combat and movement across the United States and the United Kingdom, before entering into teaching at the university level.Read more about this authorRead less about this author
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The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting. This book starts with a brief breakdown of the history of broadswords, the time periods associated with their use, and the influences of historical masters and their manuscripts.

After the brief history section, this book presents the basic techniques of broadsword fighting, starting with grip and body postures. Readers will then move fluidly into the basic actions of cuts, parries, blocks, and disarms.

During this process, actors explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given throughout the text on techniques which need to be approached in a physically and/or mentally safe way by directors, choreographers, performers, teachers, and students.

The final chapter focuses on choreographing a fight and utilizing all the material previously covered in this book, with special notes for actors, directors, and teachers about what makes a good fight, how to keep it safe, and how to create the "wow factor" in choreography. The Art of Broadsword Fighting for Stage and Screen is intended for directors, choreographers, actors, students of acting, martial artists, and enthusiasts of stage combat and historical martial arts.

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