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Recording Orchestra and Other Classical Music Ensembles (Audio Engineering Society Presents)

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Book Details
Language
English
Publishers
Focal Press; 2nd edition (1 Aug. 2024)
Weight
0.49 KG
Publication Date
01/08/2024
ISBN-10
1003324606
Pages
278 pages
ISBN-13
9781003324607
Dimensions
17.78 x 1.5 x 25.4 cm
SKU
9781003324607
Author Name
Richard King (Author)
Richard King was born in London and is a scholar of Indian philosophy and religion. He has worked in the UK and the USA and is currently Professor of Global Philosophy at the School of Oriental and African Studies (SOAS, University of London), where he contributes to the World Philosophies programme which seeks to develop a decolonial, cross-cultural and global approach to Philosophy. King has written on postcolonial approaches to the study of Indian traditions, the history of Brahmanical and Buddhist philosophy (especially the relationship of early Advaita Vedanta and Indian Buddhism), capitalist forms of spirituality, and has also contributed to critical approaches to the category of “religion” and analysis of the emergence of “Hinduism” as a late modern/colonial category.Read more about this authorRead less about this author
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Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. Whether the reader is a newcomer or a seasoned engineer looking to refine their skills, this book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music and solo piano.

With a focus on the orchestra as an instrument and sound source, Recording Orchestra and Other Classical Music Ensembles features sections on how to listen, understanding microphones, concert halls, orchestra seating arrangements, how to set up the monitoring environment and how to approach recording each section of the orchestra. Offering concise information on preparing for a recording session, the role of the producer and mixing techniques, whilst a "quick-start" reference guide with suggested setups also helps to introduce the reader to the recording process.

Online Instructor and Student Resources, featuring audio and video examples of various techniques, further reinforces the concepts discussed throughout the book. This new edition has updated and expanded material, including new chapters on classical crossover projects, film score recording and immersive/3D recording and mixing, as well as a number of new case studies, making this an essential guide for students, researchers and professionals recording classical music.

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