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Rap Gods: The Rise of Rap as a Genre: 1 (Music)

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Book Details
Language
English
Publishers
Independently published (14 Mar. 2024)
Weight
0.1 KG
Publication Date
14/03/2024
Pages
63 pages
ISBN-13
9798884842410
Dimensions
15.6 x 0.38 x 23.39 cm
SKU
9798884842410
Author Name
Geoff Dearie (Author)
Becoming an author has been a slow progression for me. I studied a BA Media degree which incorporated Journalism and have had print in Best for Music, The Glasgow Herald and a host of other local papers in and around Glasgow. I furthered my academia by studying a PGDip.Ed at University of Glasgow and then a Counselling qualification at Napier University. Needless to say, communication is where my skillset lies. I currently have a host of publications, sold internationally, right here on amazon. I enjoy factual books and the likes of Naom Chomsky, autobiographys and self help books are my thing. Fiction wise i enjoy Christopher Brookmyre, Lee Child and all of these influence my inspiration when writing. In my spare time i am also a professional DJ and have been since the 90's where i have played alongside Paul Oakenfold, Sister Bliss, Marc Smith, Hixxy and Bass Generator. The best live band i ever saw was the Prodigy and the best DJ set iv heard was Adamski at SWG3 in 2019. Mind blowing and by far the best live set i have seen to date. I also had the priviledge of playing alonside Scott McCulloch aka Gerbil as part of a DJ partnership for years and never could match his ability to mix vinyl, nor have i ever seen anyone who could, then and to date. Please have a read of my stuff and feel free to leave a review or some feedback. Oh and before i forget, im also a fan of AI as a writing aid, modern dj controllers, sync buttons and anything to do with camerasThank youGeoff DearieRead more about this authorRead less about this author
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Rap music wasn't born on a stage, it crackled to life in the Bronx during the 1970s. Block parties thrummed with innovative DJs like Kool Herc, Afrika Bambaataa, and Grandmaster Flash who extended the funky breaks of popular records, creating infectious rhythms.

These "breaks" became the canvas for charismatic MCs (masters of ceremonies) who rhymed and rapped over the beats, weaving tales of everyday life, community, and street culture. Early rap was a party starter.

Tracks like "Rapper's Delight" (1979) by the Sugarhill Gang brought the genre national attention, its playful boasts and dancefloor energy a novelty in the mainstream. But rap's soul resided in its authenticity.

Pioneering artists like Kurtis Blow and Grandmaster Flash and the Furious Five weren't afraid to tackle social issues, rapping about poverty, police brutality, and the struggles of inner-city youth. The 1980s witnessed a golden age of rap diversification.

Groups like Run-D. M.

C. injected a dose of rock and roll swagger, while the socially conscious lyricism of artists like KRS-One and Public Enemy gave voice to a generation.

On the West Coast, N. W.

A. pioneered gangsta rap, using unflinching rhymes to depict the harsh realities of gang violence and poverty.

Technological advancements like samplers and drum machines allowed for richer soundscapes. Artists like A Tribe Called Quest and De La Soul experimented with jazz and soul samples, creating a more melodic and introspective style.

Female rappers like Queen Latifah and Salt-n-Pepa shattered stereotypes, demanding respect and recognition in a male-dominated industry. By the 1990s, rap had become a global phenomenon.

The Notorious B. I.

G. and Tupac Shakur's East Coast-West Coast feud dominated headlines, while artists like Nas and Jay-Z delivered introspective narratives about hustling and ambition.

Rap transcended genre, collaborating with R&B and pop, influencing fashion trends, and becoming a potent voice for social change. From its humble beginnings to its chart-topping dominance, rap music's story is one of innovation, resilience, and the power of self-expression.

It's a testament to the creativity that thrives in the margins, forever evolving and pushing the boundaries of popular culture. .

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