Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances.

The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M.

Merleau-Ponty, G. Bataille, J.

Kristeva, P. Lacoue-Labarthe and J.

Sallis, G. Didi-Huberman, H.

Belting and A. Warburg, J.

Bennett and Jason M. Wirth, as well as performance studies.

Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits ofimagination to create pulsatile imaginaries, i. e.

, a dynamic process of “emergence-resurgence” of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences.

The newly coined term “rite of disimagination” points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image – it valorizes matter. The affirmation of the materiality of image is “the re-incarnation of image.

”. .