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Arts & Photography      Performing Arts

Performance Making and the Archive

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Book Details
Language
English
Publishers
Routledge India; 1st edition (27 May 2024)
Weight
0.48 KG
Publication Date
27/05/2024
ISBN-10
1032340916
Pages
340 pages
ISBN-13
9781032340913
Dimensions
15.6 x 1.96 x 23.4 cm
SKU
9781032340913
Author Name
Ashutosh Potdar (Editor)
Ashutosh Potdar is a writer of one-act and full-length plays, poems, short fiction, translations and essays. He writes in English and Marathi. Ashutosh has edited a volume of Greatest Marathi Stories Ever Told (Aleph Book Company) and, co-edited a volume of essays on performance-making and the archive, and an anthology of art writing in Marathi published by Routledge India and Sharjah Art Foundation respectively.Ashutosh edits हाकारा । hākārā, a peer-reviewed bilingual journal of creative expression published online in Marathi and English. ​The areas of Ashutosh Potdar's research interest are Colonial Drama, Narrative Theory and Drama Studies and more recently, the connections between the archive and performance making.​Ashutosh Potdar is Associate Professor of literature and drama at the department of Theatre and Performance Studies (School of Design, Art and Performance).Read more about this authorRead less about this author
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Description
This book investigates theories and practices shaped by a performance’s relationship to the archive. The contributions in the volume examine how the changing nature of performance practices has made it imperative to understand how the archive and archival practices could add to the performance work.

They explore a variety of themes, including artistic engagement with the archive in both conceptual and material terms; physical, virtual and digital forms; publicly and privately collected; oral, written and digital ways; or organized and unorganized collections. Finally, the volume examines how archives are modelled on existing structure and the ways in which they can be brought into discourses and practices of performance making through engagement and contestation.

A novel approach to performance theory, this volume will be of great interest to scholars and researchers of performance studies, media and culture studies, studies of technology and art as also literature and literary criticism. .

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