Poetry, Drama & Criticism      Drama

Monuments

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Book Details
Language
English
Publishers
Time Being Media, LLC (7 Feb. 2024)
Weight
0.17 KG
Publication Date
07/02/2024
ISBN-10
1953725376
Pages
152 pages
ISBN-13
9781953725370
Dimensions
12.7 x 0.89 x 20.32 cm
SKU
9781953725370
Author Name
Stephen Evans (Author)
In the movie version of Harvey, the character of Elwood P. Dowd says, “Years ago my mother used to say to me… She’d say, ‘In this world, Elwood, you must be’—she always called me Elwood—‘in this world, Elwood, you must be oh so smart or oh so pleasant.’ Well, for years I was smart. I recommend pleasant. You may quote me.”I do, obviously. It is one of my favorite lines in one of my favorite films. I don’t see six-foot-tall rabbits (or none I’m admitting to). But sometimes I think that something like his transformation may have happened to me. For years, I was smart, but being smart didn’t make me a writer.Twenty years ago, I decided I was supposed to be a writer. I thought about writing. I read books about writing. But I wasn’t actually doing any writing.So, feeling the years slipping by, I quit my job and headed out across the country, intending to write a book. Yet mile after mile, I wrote nothing, except a few emails about the amazing scenery and how often I got lost. Eventually, I gave up and turned toward home.A thousand miles or so later, a butterfly got caught in my windshield wipers. I slowed down and got off the highway at the next opportunity, coaxed the little guy onto a sheet of (blank, no doubt) paper, and set him onto a patch of grass near some woods. He couldn’t fly anymore, but he could walk. I watched each slow, painstaking step until he disappeared into the brush. Then I got back in my car and on the highway.Moments later, a poem came to me about the butterfly. Quickly, I dictated the words into my recorder. It wasn’t great poetry. But it was the first creative writing I had done in a long time.That night, I sat at a desk in my hotel room and began to write. I didn’t stop until I had finished the entire first act of a play, and then, over the next few years, finally a book about that trip: A Transcendental Journey.Since I wrote A Transcendental Journey, so much of my life has revolved around taking care of family—a time that has also been the most creative of my life. I think there is a connection.I began The Marriage of True Minds, my first novel, while I was taking care of my aunt Margaret, to whom it is dedicated. I edited the novel while staying with my friend Don in what turned out to be the last months of his life. The final piece of the story was based on the eulogy I wrote for my brother Michael.A few years later, when both of my parents were diagnosed with health issues, I moved in to take care of them. My writing during those years consisted mostly of short pieces. But I think it is some of my best work.After my parents passed away, I was lucky to be able to take some time off. I thought I needed it—needed to get back to being the person I used to be. I never did. I don’t think now I will. And I wouldn’t choose to if I could, as a man or as a writer.In a year, I wrote drafts of two books, plus half of a third. Two were published this year: The Island of Always, an extension of The Marriage of True Minds, and Painting Sunsets, a story for young artists. The third book comes out next month.I don’t really like the word caregiving: it is too one-sided. Caring for someone is a shared experience, often both deeply rewarding and deeply draining. But in each case in my life, I feel that some reflection of that shared experience, and of the person I shared it with, has gone into the work.As a writer, my instinct is to wrap myself up in a solitary world—to live in the one I am creating. But I have realized that what works for me may be the opposite: turn out, see the world, do what needs to be done for the people in your life. And as you do, trust that the wheels are turning in your creative spirit.Caring is the wildest fuel for the writing fire.You may quote me.This piece first appeared in Publishers Weekly.Stephen Evans is a playwright and author. He lives in Maryland. Find him online at:Facebook: www.facebook.com/istephenevansTwitter: www.twitter.com/istephenevansBlog: www.gr8word.comPraise for The Island of Always:“A charming literary screwball comedy” —Kirkus Reviews“A zany and unpredictable comedic literary novel” —Foreword Reviews“Evans has gathered a truly amiable cast of characters, entwined with heartfelt emotions. Literary audiences will easily forego any disbelief and indulge their imaginations in this highly entertaining and worthwhile read.”—BlueInk ReviewsPraise for The Marriage of True Minds:“Stephen Evans’ first novel, The Marriage of True Minds, is a funny, poignant, oddly beautiful book about three divergent life forms—animals, people, and lawyers. You will love it if you read it with a true mind.” —Kinky Friedman"Poignant and outrageous, moving and profound, Evans' delectable debut novel thrums with zesty dialogue and a memorably zany cast of irresistible characters."—Booklist"Evans demonstrates his playwright’s mastery of dialogue and tension in his accomplished and whimsical first novel about love and the bizarre behavior it ignites."—Publishers WeeklyRead more about this authorRead less about this author
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Monuments is a play in one act exploring the tragic life and remarkable mind of America's greatest philosopher, Ralph Waldo Emerson. In July of 1872, Ralph Waldo Emerson's house in Concord, Massachusetts, caught fire.

His many friends and admirers raised money for repairs, and to send him on a journey across the ocean while those repairs were being made. At the time of this voyage, Emerson was one the most famous Americans in the world, and the most famous American intellectual since Franklin.

Everywhere he went he was invited to speak and read from his works. But his memory, which had been declining for a few years, declined even more seriously after the fire.

No longer considered capable of traveling alone, his daughter Ellen Tucker Emerson (who was named for his first wife) accompanied him and managed the trip. This tale of a few moments on that voyage is imagined, though based in some details on the letters of Emerson's first wife Ellen and his namesake daughter Ellen, and his journals.

In addition to this episode in Emerson's life, the play travels back to other turning points. First is his relationship with Henry David Thoreau.

In September of 1847, after two productive and life-altering years in his cabin at Walden Pond, Henry David Thoreau left Walden and eventually returned to the household of his friend and mentor Ralph Waldo Emerson. Why did he leave? In Walden, Thoreau says: "I left the woods for as good a reason as I went there.

Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one. "In one section, the play imagines Emerson confronting Thoreau in July 1847, attempting to convince him to leave the cabin at Walden and return to Concord.

A few years earlier, in January 1842, a nine-year-old Louisa May Alcott comes to inquire about Emerson's son Waldo. In January of 1842, Ralph Waldo Emerson's son Waldo fell ill with scarlet fever.

Five days later, he died. As Louisa May Alcott later described that day, her father Bronson, Emerson's close friend, sent his her to see how the young boy was doing.

When Emerson opened the door, she explained her errand. "He is dead, child," Emerson said, and slowly closed the door.

This play imagines a different scenario, in which both Emerson's protégé (and jack of all trades) Henry David Thoreau and Emerson's grieving wife Lidian have parts to play. Louisa from a young age was a frequent visitor to the Emerson household, had looked after the children Waldo and Ellen, and had crushes on the two very different men, both of whom were to influence her life and writing.

Finally, Emerson confronts the loss of his first wife Ellen, who died of consumption only two years after they were married. It is her memory that is his Beatrice, who guides him on the journey through the events of his life.

Emerson, the young Emerson at least, is the most optimistic of philosophers. Yet his life was full of tragedy.

He expresses contradictory views of this in two works: his poem Threnody, and his essay Experience. Portions of both are included here.

This is the conflict in Emerson that has fascinated and perplexed me for as long as I have been reading him. This play is my attempt at understanding this brilliant, complex, kind, funny, tragic man.

. .

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