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Poetry, Drama & Criticism      History & Criticism

Maggie O'Farrell: Contemporary Critical Perspectives

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Book Details
Language
English
Publishers
Bloomsbury Academic (25 Jan. 2024)
Weight
0.43 KG
Publication Date
25/01/2024
ISBN-10
1350325007
Pages
178 pages
ISBN-13
9781350325005
Dimensions
15.6 x 1.12 x 23.39 cm
SKU
9781350325005
Author Name
Elaine Canning (Author)
Originally from Belfast, Elaine Canning is a writer, editor and public engagement specialist living in Swansea, South Wales. She holds an MA and PhD in Hispanic Studies from Queen's University, Belfast and an MA in Creative Writing from Swansea University. She is currently Head of Special Projects at Swansea University, which include the Rhys Davies National Short Story Competition, as well as Executive Officer of the Dylan Thomas Prize. She has authored a monograph and papers on Spanish Golden-Age drama and her short stories have appeared in Nation.Cymru and The Lonely Crowd. Editor of Take a Bite: The Rhys Davies Short Story Award Anthology (Parthian, 2021) and New World, New Beginnings: Resilience and Connectivity through Poetry (Parthian 2021), she is also editor of Maggie O'Farrell: Contemporary Critical Perspectives (forthcoming, Bloomsbury). The Sandstone City is her debut novel. Read more about this authorRead less about this author
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Bringing together cultural analysis and textual readings on critically-acclaimed bestseller and winner of the prestigious Women’s Prize for Fiction, Maggie O’Farrell, this collection covers her nine novels, her memoir I Am, I Am, I Am, two children’s books and features an exclusive interview with the author herself. The first full-length study of O’Farrell’s work, this book offers critical explorations from her earliest works to the award-winning Hamnet and most recent best-selling novel, The Marriage Portrait.

With a timeline of her life and works, as well as suggested further reading, the themes explored include grief and sacrifice, longing and belonging, trauma, translation, palimpsestic texts and the relation of her work to history and the female domestic gothic. .

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