Poetry, Drama & Criticism      History & Criticism

Last Laughs: Perspectives on Women and Comedy (Routledge Library Editions: Comedy)

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Book Details
Language
English
Publishers
Routledge; 1st edition (21 Mar. 2024)
Weight
0.46 KG
Publication Date
21/03/2024
ISBN-10
1032226277
Pages
330 pages
ISBN-13
9781032226279
Dimensions
15.6 x 1.91 x 23.4 cm
SKU
9781032226279
Author Name
Regina Barreca (Editor)
Deemed a “feminist humor maven” by Ms. Magazine and “Very, very funny. For a woman” by Dave Barry, Gina Barreca is most recently the author of It's Not That I'm Bitter: How I Learned to Stop Worrying About Visible Panty Lines and Conquered the World (St. Martin’s, 2009/ppb. 2010). She has appeared on 20/20, 48 Hours, NPR, the BBC, The Today Show, CNN, Joy Behar, and Oprah to discuss gender, power, politics, and humor. Her earlier books, include the bestselling They Used to Call Me Snow White But I Drifted: Women's Strategic Use of Humor, as well as Perfect Husband and Other Fairy Tales: Demystifying Men, Marriage and Romance, Sweet Revenge: The Wicked Delights of Getting Even, and Babes in Boyland: A Personal History of Coeducation in the Ivy League; her books have been translated into several languages, including Chinese, Spanish, Japanese, and German. She’s the editor of seventeen books, including The Signet Book of American Humor and The Penguin Book of Women’s Humor as well as The Erotics of Instruction and A Sit-Down With the Sopranos. She writes for the "Brainstorm" section of The Chronicle of Higher Education and blogs for Psychology Today, does a weekly column for The Hartford Courant, a monthly column for Principal Leadership, and occasionally spars with her former co-author (of I'm With Stupid: One Man. One Woman. 10,000 Years of Misunderstandings Between the Sexes Cleared Right Up) Gene Weingarten in his "Below the Beltway" column in The Washington Post. With degrees from Dartmouth College, Cambridge University, and the City University of New York, Barreca is Professor of English and Feminist Theory at the University of Connecticut.Read more about this authorRead less about this author
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First published in 1988, the 19 original essays (and three "Sylvia" cartoons) included in this volume deal with the gender-specific nature of comedy. This pioneering collection observes the creation of women’s comedy from a wide range of standpoints: political, sociological, psychoanalytical, linguistic, and historical.

The writers explore the role of women’s comedy in familiar and unfamiliar territory, from Austen to Weldon, from Behn to Wasserstein. The questions they raise will lead to a redefinition of the genre itself.

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