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Don Quixote’s Impossible Quest for the Absolute in Literature: Fiction, Reflection, and Negative Theology (Routledge Studies in Latin American and Iberian Literature)

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Book Details
Language
English
Publishers
Routledge; 1st edition (30 Jun. 2024)
Weight
0.51 KG
Publication Date
31/07/2024
ISBN-10
1032688963
Pages
258 pages
ISBN-13
9781032688961
Dimensions
15.24 x 1.96 x 22.86 cm
SKU
9781032688961
Author Name
William Franke (Author)
William Franke is a philosopher of the humanities, a Dante scholar, and professor of comparative literature and religion at Vanderbilt University. He has also been professor of philosophy at the University of Macao (2013–16); Fulbright-University of Salzburg Distinguished Chair in Intercultural Theology and the Study of Religion; and Alexander von Humboldt-Stiftung research fellow at the University of Potsdam.In addition to two monographs on Dante—Dante’s Interpretive Journey (University of Chicago Press, 1996) and Dante and the Sense of Transgression: “The Trespass of the Sign” (Bloomsbury, 2013)—Franke’s critical theory books include Poetry and Apocalypse: Theological Disclosures of Poetic Language (Stanford University Press, 2009) and A Theology of Literature: The Bible as Revelation in the Tradition of the Humanities (Cascade, 2017). These works follow up on books tracing prophetic poetry from Homer and Virgil to Dante (The Revelation of Imagination: From Homer and the Bible through Virgil and Augustine to Dante, Northwestern University Press, 2015) and then forward from Dante through Chaucer, Shakespeare, Milton, Blake, Leopardi, to more recent modern classics including Baudelaire, Dickinson, and Yeats (Secular Scriptures: Modern Theological Poetics in the Wake of Dante, Ohio State University Press, 2016). Two forthcoming books from Cambridge University Press deal with the Vita nuova and the Paradiso as poetics of revelation and theophany respectively.Franke’s more strictly philosophical works include A Philosophy of the Unsayable (Notre Dame University Press, 2014) and his reconstruction of what he presents as the apophatic tradition of discourse in On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature, and the Arts (Notre Dame University Press, 2007, 2 vols.). His Apophatic Paths from Europe to China: Regions without Borders (SUNY Press, 2018, series on Chinese Philosophy and Culture) extends this project into an intercultural philosophy, taking it to sources in Asian thought. Most recently, The Universality of What is Not: The Apophatic Turn in Critical Thinking (Notre Dame University Press, 2020), applies this philosophy to address otherwise intractable critical dilemmas in media studies, identity politics of race and gender, and cognitive sciences in their struggle with the humanities.Franke teaches, lectures, and carries on public dialogue with students and researchers in multiple disciplines and languages (Italian, French, German, Spanish, English) across four continents.Read more about this authorRead less about this author
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This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection.

The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period.

Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries.

Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All.

Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially.

Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.

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