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Cv/VAR series 146 reviews the work of Damien Hirst (b. Bristol 1965) presented in a retrospective exhibition spanning twenty years, held at Tate Modern, April to September 2012.
It explores the development of his art from the controversial animal vitrines and beautiful butterfly composites to an extensive series of spot paintings, where the artist engaged in a complex invigilation of coded systems that govern daily existence. With contributions by Marina Vaizey and James Cahill, it encounters a rarely exhibited work One Thousand Years, Mother and Child, Crematorium, Pharmacy and For The Love of God, the diamond studded skull.
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