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Cuban Fusion: The Transnational Cuban Alternative Music Scene (Palgrave Pivot)

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Book Details
Language
English
Publishers
Palgrave Macmillan; 2024th edition (13 April 2024)
Weight
0.39 KG
Publication Date
17/05/2024
ISBN-10
3031536916
Pages
199 pages
ISBN-13
9783031536915
Dimensions
14.61 x 1.91 x 20.96 cm
SKU
9783031536915
Author Name
Eva Silot Bravo (Author)
A 14 years experienced educator, Afro-Cuban author, interdisciplinary scholar, former diplomat and international negotiator in the United Nations, New York, representing Cuba and developing countries. Currently the Ethnic Studies Teacher at Oakland School for the Arts, in Oakland, CA, she is a PhD. in Cultural Studies, Spanish and Literatures from the University of Miami since 2016, an M.A. in International Studies from Florida International University and a B.A. in International Relations from Instituto Superior de Relaciones Internacionales, in Havana, Cuba. She recently published her first non fiction academic book: Cuban Fusion: the Transnational Cuban Alternative Music Scene, on Cuban music and transnationalism with Palgrave MacMillan editorial. She has published 20+ articles, art reviews and interviews on Cuban music, literature, film, and other cultural topics. Her sustained commitment for documenting voices of migrant, Afro-descendent and female creatives led her to create the blog Cubanidadinbetween, and two bilingual podcasts “Miami Alternativo” and “Word Culture.” She produced concerts and collaborated with local cultural institutions in Miami, promoting Cuban alternative music and arts. Read more about this authorRead less about this author
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Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition.

The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. .

. .

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