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Cicatrix Poetics, Trauma and Healing in the Literary Borderlands: Beyond Survival (Literatures of the Americas)

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Book Details
Language
English
Publishers
Palgrave Macmillan; 1st ed. 2024 edition (15 Feb. 2024)
Weight
0.4 KG
Publication Date
10/06/2024
ISBN-10
3031128621
Pages
205 pages
ISBN-13
9783031128622
Dimensions
15.24 x 1.91 x 21.59 cm
SKU
9783031128622
Author Name
Adrianna M. Santos (Author)
Adrianna M. Santos is Associate Professor of English at Texas A&M University-San Antonio. She is the faculty advisor for Mexican American Student Association and Coordinator of the Creative Arts and Performance Studies program. She earned a B.A. in English from University of Texas at Austin and an M.A. and Ph.D. in Chicana/o Studies from University of California, Santa Barbara. Her scholarship has appeared in Chicana/Latina Studies, Latina Critical Feminism, and Shakespeare Bulletin. With Norma E. Cantú and Rita Urquijo-Ruiz, she is co-editor of Interplanetary Nepantla: El Mundo Zurdo 8 (Aunt Lute, 2022). With Katherine Gillen and Kathryn Vomero Santos, she is co-editor of The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera (ACMRS Press, 2023) She is the author of Cicatrix Poetics, Trauma and Healing in the Literary Borderlands: Beyond Survival (Palgrave, 2024). Read more about this authorRead less about this author
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This book explores how Chicana literature often represents gender violence while simultaneously presenting strategies of survival in response. Adrianna M.

Santos aims to contribute to a broader conversation concerning the intersections between Chicana literature and decolonial trauma theory, one which questions the colonial matrix of power and the universality of Western knowledge. Santos argues that Chicana survival narratives arise out of colonial wounds and form scars that both mark and protect the violated body.

Cicatrix Poetics, Trauma and Healing in the Literary Borderlands proposes a “cicatrix poetics” that makes bold gestures toward healing and narrative/storytelling as survival. The book contends that the cicatrix fashioned through artistic expression is a necessary component for Chicana communities―not just to survive, but to thrive.

The books presents several case studies that examine transformative narrativity and by theorizing the texts as survival narratives, social protest works that bring attention to violence and erasure, the chapters explore how literature can be an effective catalyst for both social change and personal transformation, an orientation towards freedom, liberation through love. .

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