Science Fiction & Fantasy      Science Fiction

C Square

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Book Details
Language
English
Publishers
Double Dragon (18 Jan. 2024)
Weight
0.39 KG
Publication Date
18/01/2024
ISBN-10
1786958600
Pages
446 pages
ISBN-13
9781786958600
Dimensions
12.85 x 2.82 x 19.84 cm
SKU
9781786958600
Author Name
Bear Kosik (Author)
Bear Kosik is a playwright and author of three novels and a book on the current state of democracy in the USA. His short fiction, poetry, blogs, plays, and essays have been published in various reviews, websites, and anthologies. He also has ghostwritten three memoirs.Bear was raised in the Baltimore-Washington area. He has lived near Albany, NY since 1995. He spent over 30 years working in higher education as a professor of political science and a student success specialist. His hobbies include gardening, cooking, traveling, and reading books on natural science, religion, geography, and world history.Off-Off-Broadway Productions:• Between Panic and Desire – NY Summerfest Theater Festival, NYC, August 7, 11 & 12, 2018 (full length)• Between Panic and Desire – Midtown International Theater Festival, NYC, August 2, 4 & 6, 2017 (one act)• Alpha Betty – The Players Theatre New Short Play & Musical Festival, June 15-18, 2017• Alpha Betty – Manhattan Repertory Theatre, NYC, April 19-20, 2017• Hiding Bodies – Midtown International Theater Festival, NYC, July 16-17, 2016• Ghost Gig – Manhattan Repertory Theatre, NYC, July 7, 9, 12, 13, and 15, 2016• Déjà vu on the Obituary Page – Manhattan Repertory Theatre, NYC, June 2, 4, and 5, 2016Publications:• The Soul of Glory (as Hugh Dudley), bearly designed publications, July 2018 (novel)• “Apricot” (as Hugh Dudley) Ripples in Time, John Davis, ed. Spring 2018 (short story)• “Almond Lamprey” Twisted Vine Literary & Fine Arts Journal, Jennifer Hungerford, ed., Fall 2017/Spring 2018 (short story)• “I Wouldn’t Hurt a Fly” (as Hugh Dudley) Runcible Spoon, Katt Strafford, ed. April 2018 (flash fiction)• “Anemone Legume” Calliope, Sandy Raschke, ed., Spring 2018 (short story)• “Sea Glass Harvest” Weirdbook #37, January 2018 (short story)• “Tragically Hip” The Airgonaut, Jeremy Tackett, ed., January 2018 (flash fiction)• “Plethora Peruke” Silver Streams, Michael McGrath, ed., December 2017 (short story)• “You Are What You Eat” (as Hugh Dudley) AHF Magazine, Issue 3, Grey Wolf, ed. Wolfian Press, December 2017 (short story)• “Singularity” Ordinary Madness, Weasel Press, October 2017 (flash fiction)• “Father’s Day” The Invisible Bear, Jessica Q. Stark, ed., Summer 2017 (poem) • “Johnny Forward Somehow Knows” (as Hugh Dudley) Lose Yourself, David L. Repsher, ed., Scribes Valley, May 2017 (short story)• "Period of Recovery" The Book of Hope, Krysta Gibson, ed., Silver Owl Publications, April 2017 (essay)• C Square (with Paul Barone), Double Dragon Press, November 2016 (novel) • “Déjà vu on the Obituary Page” The Bear Review, http://www.thebear-review.com/, November 2016 (one-act play)• Crossing Xavier (as Hugh Dudley), bearly designed publications, September 2016 (novel)• Three Families: A Novella and Two Plays, bearly designed publications, August 2016• “See You on Hel” Keystone Chronicles, Juliana Rew, ed., Third Flatiron Press, August 2016 (short story)• “Ranulf Takes Flight” Queer Sci Fi Flight Anthology, Mischief Corner Books, July 2016 (flash fiction) • “Waiting at Dusk” I Am Waiting, Silver Birch Press, December 2015 (poem)• “Boots on the Ground” The Brawny and the Bold, Kellan Publishing, November 2015 (novella)• The Secret History of Another Rome, Kellan Publishing, April 2015; reissued by bearly designed publications, May 2016 (novel)• “Now Define Excited” River & South Review, December 2014 (essay)• Political commentaries – http://www.dailykos.com/user/Ruffbear7• Political and social commentaries – http://www.opednews.com/hkbearmcneelegeRead more about this authorRead less about this author
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An eighteen-year-old enters a bunker in western Massachusetts. She reawakens an emergent behavior artificial intelligence placed in the vault five days after she was born.

The machine introduces itself as Arthur; she was intended to resurrect the AI after it had been murdered by its creator, Adam Eli Nilo, her maternal grandfather's father. Dr.

Nilo's efforts to save humanity from self-destruction using advanced technologies such as AI and genetic manipulation all lead to more problems than solutions and ultimately lead him to a mental breakdown. His story is interwoven with the experiences of his two children, who use technologies in far more mundane, yet equally unsuccessful ways.

Dr. Nilo's son, Benjamin Rodgers Nilsson, is the result of Nilo succumbing to the advances of a lonely neighbor when they were both sixteen.

Ben's personal journal entries begin when he buys a voice-recognition device that can translate his words into clean text for his eighteenth birthday. The entries are revealed in reverse order so that the first one encountered is the one he makes on his granddaughter's eighteenth birthday in 2101.

Along the way, we learn how technologies have affected people such as Ben but, in the end, have done little to enhance their lives. Dr.

Nilo's only legally recognized child, Susannah, is the product of the process he developed with the aid of Arthur to perfect humans. Susannah's story describes the six months in 2083 leading to the birth of Ben's granddaughter and Arthur's murder.

She has been kept in the dark about being a C Square, a person whose two gametes were chosen by Arthur to meet specific criteria aimed at creating a perfected human being. Susannah ultimately learns her true heritage and identity just as it becomes impossible for her to access the resources she would need to fully understand her place as a second Eve.

The same themes in Mary Shelley's Frankenstein frame the whole: the consequences of humans using technological methods that circumvent nature; the futility of technological progress as a substitute for human development; and the alienation of creations from their creators, even when those creations are biological children, and their creator is an unknown parent. The story concludes with Arthur telling the teenager that humans create gods who they say created them.

Gods do not have the power to create anything. However, they can be omniscient and therefore far beyond the capacity of their human creators, just as Arthur is.

. .

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