Arts & Photography      History & Criticism

Barfrestone

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Book Details
Language
English
Publishers
Orage Press (12 Feb. 2024)
Weight
0.59 KG
Publication Date
12/02/2024
ISBN-10
1999368096
Pages
476 pages
ISBN-13
9781999368098
Dimensions
12.7 x 3.66 x 20.32 cm
SKU
9781999368098
Author Name
Michael Paraskos (Author)
Michael Paraskos was born in Leeds in the north of England.He is an occasional contributor of articles to newspapers and magazines, including The Spectator and Art Review, and he is even more occasionally a contributor to radio and television programmes. He has reviewed exhibitions for Front Row on BBC Radio 4, and appeared on Ραδιοφωνικό Ίδρυμα Κύπρου, BFBS, BBC Radio Wales and BBC North, discussing topics ranging from modern art in the middle east to Yorkshire nationalism. On Channel 4 television he endured what he describes as "the most embarrassing moment of my life" by taking on the role of Professor Yorkshire in an impromptu game show broadcast on The Big Breakfast. Dressed in traditional Yorkshire costume, Michael's job was to judge whether the residents of a York housing estate could tell the difference between a Yorkshire whippet and an Italian greyhound.Bizarrely for someone who has been described by others as a 'kind of anarchist writer', he has also been an advisor on such unlikely BBC television programmes as Songs of Praise and Crimewatch. However he doubts either of these does his street cred much good so he tends to leave them off his biography.​He was the editor of the book Re-Reading Read: New Views on Herbert Read, and author of Steve Whitehead, Regeneration and Herbert Read: Art and Idealism, amongst others. His major study of the leading contemporary British painter, Clive Head, was published in 2010 to coincide with a major exhibition of Head's work at the National Gallery in London, and subsequently he was invited to guest-curate a special intervention by the artist Clive Head amongst the Poussins at Dulwich Picture Gallery, London.Read more about this authorRead less about this author
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Accidentally locked in a church cupboard for twenty years, it's hardly surprising the 'poor devil', Titivillus, had missed a few things. But was he really to blame for screwing up payment on a contract for a human soul?His intended victim seems to think so, but does the Sale of Goods Act even apply to contracts with the Lord of Darkness?And is making the victim into an eminent art historian ever going to be an adequate good-will gesture for the mistake?More to the point, what has any of this to do with Barfrestone church in Kent and is this still art history?This edition includes the Art-Art History Manifesto.

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