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Attention Spans: Garrett Stewart, a Reader

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Book Details
Language
English
Publishers
Bloomsbury Academic (22 Feb. 2024)
Weight
0.66 KG
Publication Date
22/02/2024
Pages
372 pages
ISBN-13
9798765102237
Dimensions
15.24 x 2.62 x 22.86 cm
SKU
9798765102237
Author Name
Garrett Stewart (Author)
David LaRocca, Ph.D. has served as Visiting Assistant Professor in the Cinema Department at Binghamton University, Visiting Assistant Professor in the Department of Philosophy at the State University of New York College at Cortland, Visiting Scholar in the Department of English at Cornell University, and Lecturer in Screen Studies in the Department of Cinema, Photography, and Media Arts at the Roy H. Park School of Communications at Ithaca College. He studied philosophy, film, rhetoric, and religion at Buffalo, Berkeley, Vanderbilt, and at Harvard, where he was also Sinclair Kennedy Traveling Fellow in the United Kingdom. Among other books, he is the author of Emerson’s English Traits and the Natural History of Metaphor, and editor of Stanley Cavell’s Emerson’s Transcendental Etudes; The Bloomsbury Anthology of Transcendental Thought; The Philosophy of Charlie Kaufman; The Philosophy of War Films; The Philosophy of Documentary Film: Image, Sound, Fiction, Truth; The Thought of Stanley Cavell and Cinema: Turning Anew to the Ontology of Film a Half-Century after The World Viewed; Inheriting Stanley Cavell: Memories, Dreams, Reflections; and Movies with Stanley Cavell in Mind. More details at www.davidlarocca.orgRead more about this authorRead less about this author
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Attention Spans’ chronological review of Garrett Stewart’s critical approach tracks and maps the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, narrative theory (by way of narratography), poetics, and media studies, in which Stewart’s has been so persistent and so eloquent a voice. Excerpts from his twenty books are framed by editorial retrospect, then linked by Stewart’s own commentary on the variety – and underlying vectors – of his interpretive career across aesthetic forms, from Victorian narrative to recent American fiction, classic celluloid cinema to postfilmic digital effects, inert book sculpture and literary wordplay to the soundscape of singing on screen.

Accompanied by a glossary of his many influential coinages, this cornucopia of analyses is also a chronicle of evolving paradigms in the work of intensive reading. .

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