Arts & Photography      Performing Arts

A Sourcebook of Performance Labor: Activators, Activists, Archives, All (Routledge Advances in Theatre & Performance Studies)

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Book Details
Language
English
Publishers
Routledge; 1st edition (27 May 2024)
Weight
0.28 KG
Publication Date
27/05/2024
ISBN-10
1032303255
Pages
196 pages
ISBN-13
9781032303253
Dimensions
15.6 x 1.14 x 23.4 cm
SKU
9781032303253
Author Name
Joey Orr (Author)
Joey Orr is Deputy Director and Chief of Curatorial Affairs at the Museum of Contemporary Art (MCA) Chicago. He previously served as the Mellon Curator at the Spencer Museum of Art, where he directed Arts Research Integration and was affiliate faculty in Museum Studies and Visual Art at KU. Writing has been published in both edited and peer-reviewed publications, including Art Journal Open, BOMB, Hyperallergic, and Journal of American Studies. His research on performance and social practice has appeared in Rhetoric, Social Value, and the Arts (Palgrave Macmillan) and in his book, A Sourcebook of Performance Labor (Routledge). He has served in various editorial capacities for many publications, currently as a contributing editor for Art Papers magazine. He holds an MA from the School of the Art Institute of Chicago and a PhD from Emory University. A founding member of the idea collective, John Q, their projects explored public intervention, queer memory, and archival practices.Read more about this authorRead less about this author
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A Sourcebook of Performance Labor presents the views and experiences of collaborators in other artists’ works. This book reorients well-known works of contemporary performance and social practice around the workers who have shaped, enacted, and supported them.

It emerges from perspectives on maintenance, care, affective labor, and the knowledges created and preserved through gesture and intersubjectivity. This compilation of interviews is filled with the voices of collaborators in notable works attributed to established contemporary artists, including Francis Alÿs, Tania Bruguera, Suzanne Lacy, Ernesto Pujol, Asad Raza, Dread Scott, and Tino Sehgal.

In the spirit of the artworks under discussion, this book reinvests in the possibilities for art as a collective effort to explore new ways of finding ourselves in others and others in ourselves. The Sourcebook collection is a contribution for further theorizing a largely unaddressed perspective in contemporary art.

This collection will be of great interest to students and scholars in performance studies and art history. .

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